a little bit of everything…
Panasonic LUMIX DMC-GF6 Product Introduction Video
Samyang 16mm f/2.0 and 300mm f/6.3 Reflex lenses announced (Dpreview).
GF6 review at Techradar.
Panasonic Lumix LF1 review at Trustedreviews.
Olympus Lens Cap 15mm f/8 – Review at Photozone.
Panasonic LF1 First Shots at Imaging Resource.
ThePhotoSoup: “I just received my copy of the new Olympus 75mm f1.8 in black. I’ve posted a couple of [cell phone] images on my Google+ Panasonic GH3 community here: https://plus.google.com/communities/110723552030778537272 . Also, as I just mentioned in the previous sentence, we have an active community on Google+ dedicated to the Panasonic GH3. Maybe you can let your readers know. ”
Ainga: “I am a street photographer running a photography site called: aingaframes.com. Recently, a collection of photos were uploaded taken by the often forgotten Panasonic GF2. Although the camera is obsolete in comparison to some of today’s best M43 offerings, this little beast is still capable of very high quality images. I think your readers will be delighted to learn the quality and the capabilities of a tiny, inexpensive M43 Panasonic camera. The images from this link are all taken with a GF2 and the 20mm 1.7 pancake lens in the great city of Hong Kong: http://aingaframes.com/blog/2013/5/28/hong-kong-photographic-journal-by-photobomb”
Anonymous: “There aren’t many Steadicam Merlin 2 tests with the GH3, and some people may be wondering how it turns out. Check out my video while really testing it out for the first time! http://www.youtube.com/watch?v=96sUTUtJL6o I also used the Bower 7.5mm fisheye, but applied the Fisheye Fixer originally created for the GoPro cameras (in Final Cut Pro X). If anyone wants to know how it turns out, the above video is an example of how it lineates the Bower lens curvatures.”
Nick: “Hey mate, I thought you and your readers might be interested in two galleries of work I shot a few nights ago in Taksim, Istanbul, using the EM5 and CV Nokton 25mm (plus a couple with the m.ZD 45mm. This is by far the most challenging conditions I’ve ever shot in – almost all the shots are at 3200/6400iso and f0.95, not to mention very nervous and twitchy subjects and the obvious heavy police presence… Luckily the night I was there stayed non-violent and Gezi had more of a carnival atmosphere than anything else; even the riot police were willing to chat with demonstrators. Hopefully it stays that way…
In colour: http://peopleandotherstrangecreatures.wordpress.com/2013/06/14/the-colour-of-taksim/
In B&W: http://peopleandotherstrangecreatures.wordpress.com/2013/06/14/the-shades-of-taksim/“