New SLRmagic Hyperprime 12mm f/1.6 video samples and reviews.

New Test footage Noktor Hyperprime 12 mm from Hugo Goudswaard on Vimeo.

Don Ravine (Click here) posted a full ( four pages long) SLRmagic Hyperprime 12mm f/1.6 lens review: “Perhaps the single strongest feature of this lens is it’s potential as a very special video lens. I don’t mean point and shoot home movies (many of which are excellent, of course). I mean serious, professional or semi-professional video, planned shots with careful control of all the elements“.

Also Hugo Goudswaard (Click here) posted a first impression: “My first impressions of the lens are great. It feels robust and solid. Focus and aperture ring move as smooth as butter. 12mm looks like a nice wide angle view (like 24mm on 5D Mark II) and you can get nice shallow depth of field. I bett that this will be an awesome lens, especially outside, when stopped down with ND. Lens has 12 aperture blades so nice round bokeh“.

The SLRmagic Hyperprime 12mm lens is yet not available for preorder (but it will be soon).

Other SLRmagic lenses for Micro Four Thirds:
SLR Magic 12-36×50 ED Straight Spotting Scope lens (w/ hand grip) is now available on [shoplink 25887 ebay]eBay (Click here)[/shoplink].
SLR magic 11mm f/1.4 lens you can preorder on [shoplink 22154 ebay]eBay (Click here)[/shoplink].
Toy Lens 26mm f/1.4 lens on [shoplink 18603 ebay]eBay (Click here)[/shoplink].
SLR Magic 35mm f/1.7 MC lens on [shoplink 14881 ebay]eBay (Click here)[/shoplink].

DxOmark results of the E-PM1 and E-PL3

DxOmark (Click here) posted the E-Pl3 and E-PM1 sensors test results. As usual keep in mind that these tests do not take into consoderation the resolution of the sensor. DxO says: “Even if these 2 new models in the PEN series don’t provide any improvement in image quality, they do offer new choices in terms of size and controls. Depending on the level of control you want, these 2 cameras could be very nice point-and-shoot cameras — portable, but with interchangeable lenses“.

As you know all three latest PEN models do use the same 12 megapixel sensor. It’s up to you whihc one fits better for you!

Links to the three new PEN cameras:
Olympus E-P3 [shopcountry 23568] Olympus E-PL3 [shopcountry 23567] Olympus E-PM1 [shopcountry 23565]

New Olympus 45mm f/1.8 and Olympus E-PM1 reviews.

QE Park from Michael Mills on Vimeo. Taken with hacked GH2 and [shoplink 23576]Olympus 12mm f/2.0[/shoplink] and [shoplink 23577]Olympus 45mm f/1.8[/shoplink] lenses

M43blogspot (Click here) compared the new Olympus 45mm lens with the Panasonic-Leica 45mm macro lens: “So, which lens is best in terms of sharpness? I think that the Panasonic lens generally does better. The Panasonic lens appears to render a bit better at f/2.8, in my opinion. At larger apertures, there is no comparison, of course, since the Panasonic lens cannot be opened further.

Olympus 45mm first impression by snowhenge (Click here): “This is a fun lens to use, much more so in my opinion that the highly-rated [shoplink 14796]Lumix 20mm[/shoplink]. It is light, but well built, with a large, well damped focus ring. It looks gorgeous. And the results are pretty much guaranteed to bring a smile to your face. This is a must-have lens for and Micro Four Thirds camera owner. And an absolute bargain“.

Techradar (Click here) posted a full Olympus E-PM1 review: “The excellent build quality, fast autofocus, compact size and relatively low price all add up to a very attractive package. Beginners will love the simple control layout and image quality from the Four Thirds Format Live MOS sensor.

Also DC.watch (Click here to read the google translation) posted an E-PM1 review. But the google translation tool makes such a bad job that I will refuse to post the conclusion.

Click on the shop names to check the price and availability:
Links to the Olympus E-PM1 at [shoplcountry 23565] Links to the Olympus 45mm lens at [shopcountry 23577].
Links to the Panasonic 45mm lens at [shopcountry 14794].
Links to the Olympus 12mm lens at [shopcountry 23576].

New Olympus/Panasonic/Slrmagic reviews

SLR Magic HyperPrime 12mm F1.6 Test from Bob Gundu on Vimeo.

Digital-photography-school (Click here) posted a full Olympus E-PL3 review: “very sharp pictures and excellent colour rendition.With noise and artefacts the camera is OK all the way to ISO 3200, with ISO 6400 showing trouble. By ISO 12,800 … forget it.
E-PL3 shop links: [shopcountry 23567].

There is also a new Olympus E-PM1 review at Digitalcamerareview (Click here): “If you’re already shooting a PEN camera you’ll be the best judge of whether the latest generation brings enough to the table to get you to move into a new body. If you’re looking to acquire your first mirrorless interchangeable lens model the field is getting more crowded with brands and models, but the PM1 offers some fairly impressive performance at a fairly bargain price“.
E-PM1 shop links: [shopcountry 2356].

Dark, Gritty, Noisy. Sometimes it works. Teen boxing at the AZ State Fair and the Olympus E-P3 (Steve Huff).
E-P3 shop links: [shopcountry 23568].

Photofocus (Click here) tells you the “Two Reasons I’m Loving The Micro 4/3 Format”….Size and Weight!

Testing the SLR Magic Noktor 12mm f1.6 on the Olympus EP3 (ThePhoBlographer).

Philip Coltart: Hacked GH2 smokes the RED Epic camera!

RED Epic verus Panasonic GH2 from Philip Coltart on Vimeo.

And this is what Philip Coltart wrote as a comment on his vimeo page:
Ok I can see we’re getting to the point of this post where splitting hairs is all that’s left. I didn’t weigh the camera. We had some odds and ends on it and I can tell you it certainly felt like. 25lbs. Not a negative point. It is solidly built. Not a run and gun shooter. I left this review open for your interpretation but I will state strongly that I expected the RED to perform the same as a good 1080p cam like the GH2, only 5 times bigger. Mark my words clearly, because I was with the Epic for four days and on the phone extensively with RED, this camera is NOT sharp, pixel for pixel compared to the GH2. When you Zoom the RED raw files to 100% and you look at the GH2 at 100%, the GH2 smokes it. SMOKES IT! and I am not talking about false sharpening. I am saying the RED Is soft and creamy like a 7D with a crap lens on it. On top of that, anyone boasting 300 frames is grasping at straws because what RED doesn’t tell you is that when shooting at 300 or even 120, you Redcode goes to crap. 12:1 and that, my friends looks like junk.l at 5K and I will happily load the raw files or you to see. I’ll be blunt, now that this post has run its course, the RED was a complete disappointment to the hype. I don’t have to be a Hollywood pro to see it either. Which I think is all the more a testimony. Thank you for all of your thoughts.

P.S.: GH2 price check at [shopcountry 16254] (Click on shop name to visit the GH2 search page).

Panasonic Leica 25mm f/1.4 Summilux review (Digitalrev)

The video on top shows the Panasonic-Leica 25mm f/1.4 review made by Digitalrev. The lens itself is in Stock in most part of the worlds with one single exception…USA! Looks like Panasonic has something against the states? Is the market not important enough for you? We europeans have plenty of Panasonic-Leica in Stock in many stores. This is the list I usually check to see where I can get the lens. As usual just click on the shopname to see the Panaosnic-Leica search page:
[shoplist 23110]

Micro Four Thirds versus NEX-7 and Pentax Q.

When testing “non m43 cameras” many reviewers like to compare it with the mother of all mirrorless systems, Micro Four Thirds :)

Let’s start with Pentaxforums (Click here) that posted an incredibly long and detailed Pentax Q review. They included many comparisons with the [shoplink 23567]Olympus E-PL3[/shoplink]: “The new sensor technology employed in the Q has raised the cap for the image quality possible from a small sensor, but size still matters, and the Q cannot produce the same resolution and low noise as the 8 times larger sensor of our four thirds camera, the Olympus E-PL3. We chose to compare the Q to a four thirds system camera since the price is about the same and this is the closest interchangeable lens competitor in sensor size.

Steve Huff (Click here) wrote a full NEX-7 review and compared the camera with the [shoplink 23568]Olympus E-P3[/shoplink]: “The 7 has a larger APS-C sensor, the E-P3 has a smaller 4/3 sensor. In all fairness the E-P3 is more fun to shoot and provides results that you just can not complain about. It has a cool factor and some serious mojo even with its limitations and I own it and am keeping it. BUT the NEX-7 is more serious with more potential. NEX has to win this if we are taking body to body. Lenses, Oly wins but then again“.

While I am not a big fan of the [shoplink 26437]Pentax Q[/shoplink], I have to admit the [shoplink 25396]NEX-7[/shoplink] looks very promising. Anyway, the limit of the NEX system are the quality, range and size of the lenses and the future NEX lens roadmap isn’t really appealing me. I hope Olympus and Panasonic will soon understand the potential of a camera like the NEX-7! It was on the bestseller list of Amazon US (Click here) for weeks until preorders have been stopped because of the terrible flood in Thailand that stopped the NEX-7 production. The Pentax is quite popular in Japan but not so in the rest of the world.